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A Poetic Devotional. Think of it as an app made of paper.

In the late eighteenth century many souls took to carrying tiny books of devotionals, which they tucked beneath their shirts and kept close to their hearts. These were our inspiration for Shirt Pocket Poetry, a way to carry with you contemplative words worth committing to memory. All are poems of an earlier era, replete with rhyming, the better to remember the lines and the cadence. Both the words and the cards are meant to be shared — a parent with a child, friends and lovers with one another, the seasoned with the novice. These little pockets of poetry are designed to be spoken aloud, to bring solace and strength and the occasional smile, and to help you find some quiet pockets of time devoted to nurturing the soul.

See the listing of all 30 poems in our first volume of Shirt Pocket Poetry.

A few of the poems have been condensed to fit the 3x5 pocket format of the cards. We present them here in their entirety for you:

To Imagination, by Emily Brontë
Terminus, by Ralph Waldo Emerson
If, by Rudyard Kipling
A Dream, by Edgar Allan Poe
She Walks in Beauty, by George Gordon, Lord Byron
The Day Is Done, by Henry Wadsworth Longfellow
The Owl and the Pussycat, by Edward Lear
Character of the Happy Warrior, by William Wordsworth
(See our book, Winston Churchill, The Happy Warrior, on our website.)
The Love Song of J. Alfred Prufrock, by T.S. Eliot
An Essay on Criticism, by Alexander Pope

To Imagination
Emily Brontë

When weary with the long day's care,
And earthly change from pain to pain,
And lost, and ready to despair,
Thy kind voice calls me back again
O my true friend, I am not lone
While thou canst speak with such a tone!
So hopeless is the world without,
The world within I doubly prize;
Thy world where guile and hate and doubt
And cold suspicion never rise;
Where thou and I and Liberty
Have undisputed sovereignty.
What matters it that all around
Danger and grief and darkness lie,
If but within our bosom's bound
We hold a bright unsullied sky,
Warm with ten thousand mingled rays
Of suns that know no winter days?
Reason indeed may oft complain
For Nature's sad reality,
And tell the suffering heart how vain
Its cherished dreams must always be;
And Truth may rudely trample down
The flowers of Fancy newly blown.
But thou art ever there to bring
The hovering visions back and breathe
New glories o'er the blighted spring
And call a lovelier life from death,
And whisper with a voice divine
Of real worlds as bright as thine.
I trust not to thy phantom bliss,
Yet still in evening's quiet hour
With never-failing thankfulness I
welcome thee, benignant power,
Sure solacer of human cares
And brighter hope when hope despairs.

Terminus
Ralph Waldo Emerson

IT is time to be old,
To take in sail:
The god of bounds,
Who sets to seas a shore,
Came to me in his fatal rounds,
And said: “No more!
No farther shoot
Thy broad ambitious branches, and thy root.
Fancy departs: no more invent;
Contract thy firmament
To compass of a tent.
There's not enough for this and that,
Make thy option which of two;
Economize the failing river,
Not the less revere the Giver,
Leave the many and hold the few.
Timely wise accept the terms,
Soften the fall with wary foot;
A little while
Still plan and smile,
And—fault of novel germs—
Mature the unfallen fruit.
Curse, if thou wilt, thy sires,
Bad husbands of their fires,
Who, when they gave thee breath,
Failed to bequeath
The needful sinew stark as once,
The Baresark marrow to thy bones,
But left a legacy of ebbing veins,
Inconstant heat and nerveless reins,—
Amid the Muses, left thee deaf and dumb,
Amid the gladiators, halt and numb.”
As the bird trims her to the gale,
I trim myself to the storm of time,
I man the rudder, reef the sail,
Obey the voice at eve obeyed at prime:
"Lowly faithful, banish fear,
Right onward drive unharmed;
The port, well worth the cruise, is near,
And every wave is charmed."

If
Rudyard Kipling

IF you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
'Or walk with Kings - nor lose the common touch,
if neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son!

A Dream
Edgar Allan Poe

In visions of the dark night
I have dreamed of joy departed-
But a waking dream of life and light
Hath left me broken-hearted.
Ah! what is not a dream by day
To him whose eyes are cast
On things around him with a ray
Turned back upon the past?
That holy dream- that holy dream,
While all the world were chiding,
Hath cheered me as a lovely beam
A lonely spirit guiding.
What though that light, thro' storm and night,
So trembled from afar-
What could there be more purely bright
In Truth's day-star?

She Walks in Beauty
George Gordon, Lord Byron

SHE walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellow'd to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impair'd the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

The Day Is Done
Henry Wadsworth Longfellow

THE DAY is done, and the darkness
Falls from the wings of Night,
As a feather is wafted downward
From an eagle in his flight.
I see the lights of the village
Gleam through the rain and the mist,
And a feeling of sadness comes o'er me
That my soul cannot resist:
A feeling of sadness and longing,
That is not akin to pain,
And resembles sorrow only
As the mist resembles the rain.
Come, read to me some poem,
Some simple and heartfelt lay,
That shall soothe this restless feeling,
And banish the thoughts of day.
Not from the grand old masters,
Not from the bards sublime,
Whose distant footsteps echo
Through the corridors of Time.
For, like strains of martial music,
Their mighty thoughts suggest
Life's endless toil and endeavor;
And to-night I long for rest.
Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start;
Who, through long days of labor,
And nights devoid of ease,
Still heard in his soul the music
Of wonderful melodies.
Such songs have power to quiet
The restless pulse of care,
And come like the benediction
That follows after prayer.
Then read from the treasured volume
The poem of thy choice,
And lend to the rhyme of the poet
The beauty of thy voice.
And the night shall be filled with music,
And the cares, that infest the day,
Shall fold their tents, like the Arabs,
And as silently steal away.

The Owl and the Pussycat
Edward Lear

The Owl and the Pussycat went to sea
In a beautiful pea-green boat,
They took some honey, and plenty of money
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
“O lovely Pussy, O Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!”
Pussy said to the Owl, “You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?”
They sailed away, for a year and a day,
To the land where the Bong-tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.
“Dear Pig, are you willing to sell for one shilling
Your ring?” Said the Piggy, “I will.”
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.

Character of the Happy Warrior
William Wordsworth

Who is the happy Warrior? Who is he
That at every man in arms should wish to be?
—It is the generous Spirit, who, when brought
Among the tasks of real life, hath wrought
Upon the plan that pleased his boyish thought:
Whose high endeavours are an inward light
That makes the path before him always bright;
Who, with a natural instinct to discern
What knowledge can perform, is diligent to learn;
Abides by this resolve, and stops not there,
But makes his moral being his prime care;
Who, doomed to go in company with Pain,
And Fear, and Bloodshed, miserable train!
Turns his necessity to glorious gain;
In face of these doth exercise a power
Which is our human nature's highest dower:
Controls them and subdues, transmutes, bereaves
Of their bad influence, and their good receives:
By objects, which might force the soul to abate
Her feeling, rendered more compassionate;
Is placable—because occasions rise
So often that demand such sacrifice;
More skilful in self-knowledge, even more pure,
As tempted more; more able to endure,
As more exposed to suffering and distress;
Thence, also, more alive to tenderness.
'Tis he whose law is reason; who depends
Upon that law as on the best of friends;
Whence, in a state where men are tempted still
To evil for a guard against worse ill,
And what in quality or act is best
Doth seldom on a right foundation rest,
He labours good on good to fix, and owes
To virtue every triumph that he knows:
Who, if he rise to station of command
Rises by open means; and there will stand
On honourable terms, or else retire,
And in himself possess his own desire;
Who comprehends his trust, and to the same
Keeps faithful with a singleness of aim;
And therefore does not stoop, nor lie in wait
For wealth, or honours, or for worldly state;
Whom they must follow; on whose head must fall,
Like showers of manna, if they come at all:
Whose powers shed round him in the common strife,
Or mild concerns of ordinary life,
A constant influence, a peculiar grace;
But who, if he be called upon to face
Some awful moment to which Heaven has joined
Great issues, good or bad for human kind,
Is happy as a Lover; and attired
With sudden brightness, like a Man inspired;
And, through the heat of conflict, keeps the law
In calmness made, and sees what he foresaw;
Or if an unexpected call succeed,
Come when it will, is equal to the need:
—He who, though thus endued as with a sense
And faculty for storm and turbulence,
Is yet a Soul whose master-bias leans
To homefelt pleasures and to gentle scenes;
Sweet images! which, wheresoe'er he be,
Are at his heart; and such fidelity
It is his darling passion to approve;
More brave for this, that he hath much to love:—
'Tis, finally, the Man, who, lifted high,
Conspicuous object in a Nation's eye,
Or left unthought-of in obscurity,—
Who, with a toward or untoward lot,
Prosperous or adverse, to his wish or not—
Plays, in the many games of life, that one
Where what he most doth value must be won:
Whom neither shape or danger can dismay,
Nor thought of tender happiness betray;
Who, not content that former worth stand fast,
Looks forward, persevering to the last,
From well to better, daily self-surpast:
Who, whether praise of him must walk the earth
For ever, and to noble deeds give birth,
Or he must fall, to sleep without his fame,
And leave a dead unprofitable name—
Finds comfort in himself and in his cause;
And, while the mortal mist is gathering, draws
His breath in confidence of Heaven's applause:
This is the happy Warrior; this is he
That every man in arms should wish to be.

The Love Song of J. Alfred Prufrock
T.S. Eliot

S'io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun, s'i'odo il vero,
Senza tema d'infamia ti rispondo.

LET us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question…
Oh, do not ask, “What is it?”
Let us go and make our visit.
In the room the women come and go
Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.
And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
In the room the women come and go
Talking of Michelangelo.
And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
(They will say: “How his hair is growing thin!”)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: “But how his arms and legs are thin!”)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.
For I have known them all already, known them all:
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?
And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?
And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?
Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?…
I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet—and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.
And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it toward some overwhelming question,
To say: “I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all”—
If one, settling a pillow by her head,
Should say: “That is not what I meant at all;
That is not it, at all.”
And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
“That is not it at all,
That is not what I meant, at all.”
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.

An Essay on Criticism
Alexander Pope

'Tis hard to say, if greater Want of Skill
Appear in Writing or in Judging ill,
But, of the two, less dang'rous is th' Offence,
To tire our Patience, than mis-lead our Sense:
Some few in that, but Numbers err in this,
Ten Censure wrong for one who Writes amiss;
A Fool might once himself alone expose,
Now One in Verse makes many more in Prose.
'Tis with our Judgments as our Watches, none
Go just alike, yet each believes his own.
In Poets as true Genius is but rare,
True Taste as seldom is the Critick's Share;
Both must alike from Heav'n derive their Light,
These born to Judge, as well as those to Write.
Let such teach others who themselves excell,
And censure freely who have written well.
Authors are partial to their Wit, 'tis true,
But are not Criticks to their Judgment too?
Yet if we look more closely, we shall find
Most have the Seeds of Judgment in their Mind;
Nature affords at least a glimm'ring Light;
The Lines, tho' touch'd but faintly, are drawn right.
But as the slightest Sketch, if justly trac'd,
Is by ill Colouring but the more disgrac'd,
So by false Learning is good Sense defac'd.
Some are bewilder'd in the Maze of Schools,
And some made Coxcombs Nature meant but Fools.
In search of Wit these lose their common Sense,
And then turn Criticks in their own Defence.
Each burns alike, who can, or cannot write,
Or with a Rival's or an Eunuch's spite.
All Fools have still an Itching to deride,
And fain wou'd be upon the Laughing Side;
If Maevius Scribble in Apollo's spight,
There are, who judge still worse than he can write
Some have at first for Wits, then Poets past,
Turn'd Criticks next, and prov'd plain Fools at last;
Some neither can for Wits nor Criticks pass,
As heavy Mules are neither Horse or Ass.
Those half-learn'd Witlings, num'rous in our Isle,
As half-form'd Insects on the Banks of Nile:
Unfinish'd Things, one knows now what to call,
Their Generation's so equivocal:
To tell 'em, wou'd a hundred Tongues require,
Or one vain Wit's, that might a hundred tire.
But you who seek to give and merit Fame,
And justly bear a Critick's noble Name,
Be sure your self and your own Reach to know.
How far your Genius, Taste, and Learning go;
Launch not beyond your Depth, but be discreet,
And mark that Point where Sense and Dulness meet.
Nature to all things fix'd the Limits fit,
And wisely curb'd proud Man's pretending Wit:
As on the Land while here the Ocean gains,
In other Parts it leaves wide sandy Plains;
Thus in the Soul while Memory prevails,
The solid Pow'r of Understanding fails;
Where Beams of warm Imagination play,
The Memory's soft Figures melt away.
One Science only will one Genius fit;
So vast is Art, so narrow Human Wit;
Not only bounded to peculiar Arts,
But oft in those, confin'd to single Parts.
Like Kings we lose the Conquests gain'd before,
By vain Ambition still to make them more:
Each might his sev'ral Province well command,
Wou'd all but stoop to what they understand.
First follow NATURE, and your Judgment frame
By her just Standard, which is still the same:
Unerring Nature, still divinely bright,
One clear, unchang'd and Universal Light,
Life, Force, and Beauty, must to all impart,
At once the Source, and End, and Test of Art
Art from that Fund each just Supply provides,
Works without Show, and without Pomp presides:
In some fair Body thus th' informing Soul
With Spirits feeds, with Vigour fills the whole,
Each Motion guides, and ev'ry Nerve sustains;
It self unseen, but in th' Effects, remains.
Some, to whom Heav'n in Wit has been profuse.
Want as much more, to turn it to its use,
For Wit and Judgment often are at strife,
Tho' meant each other's Aid, like Man and Wife.
'Tis more to guide than spur the Muse's Steed;
Restrain his Fury, than provoke his Speed;
The winged Courser, like a gen'rous Horse,
Shows most true Mettle when you check his Course.
Those RULES of old discover'd, not devis'd,
Are Nature still, but Nature Methodiz'd;
Nature, like Liberty, is but restrain'd
By the same Laws which first herself ordain'd.
Hear how learn'd Greece her useful Rules indites,
When to repress, and when indulge our Flights:
High on Parnassus' Top her Sons she show'd,
And pointed out those arduous Paths they trod,
Held from afar, aloft, th' Immortal Prize,
And urg'd the rest by equal Steps to rise;
Just Precepts thus from great Examples giv'n,
She drew from them what they deriv'd from Heav'n
The gen'rous Critick fann'd the Poet's Fire,
And taught the World, with Reason to Admire.
Then Criticism the Muse's Handmaid prov'd,
To dress her Charms, and make her more belov'd;
But following Wits from that Intention stray'd;
Who cou'd not win the Mistress, woo'd the Maid;
Against the Poets their own Arms they turn'd,
Sure to hate most the Men from whom they learn'd
So modern Pothecaries, taught the Art
By Doctor's Bills to play the Doctor's Part,
Bold in the Practice of mistaken Rules,
Prescribe, apply, and call their Masters Fools.
Some on the Leaves of ancient Authors prey,
Nor Time nor Moths e'er spoil'd so much as they:
Some dryly plain, without Invention's Aid,
Write dull Receits how Poems may be made:
These leave the Sense, their Learning to display,
And theme explain the Meaning quite away
You then whose Judgment the right Course wou'd steer,
Know well each ANCIENT's proper Character,
His Fable, Subject, Scope in ev'ry Page,
Religion, Country, Genius of his Age:
Without all these at once before your Eyes,
Cavil you may, but never Criticize.
Be Homer's Works your Study, and Delight,
Read them by Day, and meditate by Night,
Thence form your Judgment, thence your Maxims bring,
And trace the Muses upward to their Spring;
Still with It self compar'd, his Text peruse;
And let your Comment be the Mantuan Muse.
When first young Maro in his boundless Mind
A Work t' outlast Immortal Rome design'd,
Perhaps he seem'd above the Critick's Law,
And but from Nature's Fountains scorn'd to draw:
But when t'examine ev'ry Part he came,
Nature and Homer were, he found, the same:
Convinc'd, amaz'd, he checks the bold Design,
And Rules as strict his labour'd Work confine,
As if the Stagyrite o'er looked each Line.
Learn hence for Ancient Rules a just Esteem;
To copy Nature is to copy Them.
Some Beauties yet, no Precepts can declare,
For there's a Happiness as well as Care.
Musick resembles Poetry, in each
Are nameless Graces which no Methods teach,
And which a Master-Hand alone can reach.
If, where the Rules not far enough extend,
(Since Rules were made but to promote their End)
Some Lucky LICENCE answers to the full
Th' Intent propos'd, that Licence is a Rule.
Thus Pegasus, a nearer way to take,
May boldly deviate from the common Track.
Great Wits sometimes may gloriously offend,
And rise to Faults true Criticks dare not mend;
From vulgar Bounds with brave Disorder part,
And snatch a Grace beyond the Reach of Art,
Which, without passing thro' the Judgment, gains
The Heart, and all its End at once attains.
In Prospects, thus, some Objects please our Eyes,
Which out of Nature's common Order rise,
The shapeless Rock, or hanging Precipice.
But tho' the Ancients thus their Rules invade,
(As Kings dispense with Laws Themselves have made)
Moderns, beware! Or if you must offend
Against the Precept, ne'er transgress its End,
Let it be seldom, and compell'd by Need,
And have, at least, Their Precedent to plead.
The Critick else proceeds without Remorse,
Seizes your Fame, and puts his Laws in force.
I know there are, to whose presumptuous Thoughts
Those Freer Beauties, ev'n in Them, seem Faults:
Some Figures monstrous and mis-shap'd appear,
Consider'd singly, or beheld too near,
Which, but proportion'd to their Light, or Place,
Due Distance reconciles to Form and Grace.
A prudent Chief not always must display
His Pow'rs in equal Ranks, and fair Array,
But with th' Occasion and the Place comply,
Conceal his Force, nay seem sometimes to Fly.
Those oft are Stratagems which Errors seem,
Nor is it Homer Nods, but We that Dream.
Still green with Bays each ancient Altar stands,
Above the reach of Sacrilegious Hands,
Secure from Flames, from Envy's fiercer Rage,
Destructive War, and all-involving Age.
See, from each Clime the Learn'd their Incense bring;
Hear, in all Tongues consenting Paeans ring!
In Praise so just, let ev'ry Voice be join'd,
And fill the Gen'ral Chorus of Mankind!
Hail Bards Triumphant! born in happier Days;
Immortal Heirs of Universal Praise!
Whose Honours with Increase of Ages grow,
As streams roll down, enlarging as they flow!
Nations unborn your mighty Names shall sound,
And Worlds applaud that must not yet be found!
Oh may some Spark of your Coelestial Fire
The last, the meanest of your Sons inspire,
(That on weak Wings, from far, pursues your Flights;
Glows while he reads, but trembles as he writes)
To teach vain Wits a Science little known,
T' admire Superior Sense, and doubt their own!
Of all the Causes which conspire to blind
Man's erring Judgment, and misguide the Mind,
What the weak Head with strongest Byass rules,
Is Pride, the never-failing Vice of Fools.
Whatever Nature has in Worth deny'd,
She gives in large Recruits of needful Pride;
For as in Bodies, thus in Souls, we find
What wants in Blood and Spirits, swell'd with Wind;
Pride, where Wit fails, steps in to our Defence,
And fills up all the mighty Void of Sense!
If once right Reason drives that Cloud away,
Truth breaks upon us with resistless Day;
Trust not your self; but your Defects to know,
Make use of ev'ry Friend—and ev'ry Foe.
A little Learning is a dang'rous Thing;
Drink deep, or taste not the Pierian Spring:
There shallow Draughts intoxicate the Brain,
And drinking largely sobers us again.
Fir'd at first Sight with what the Muse imparts,
In fearless Youth we tempt the Heights of Arts,
While from the bounded Level of our Mind,
Short Views we take, nor see the lengths behind,
But more advanc'd, behold with strange Surprize
New, distant Scenes of endless Science rise!
So pleas'd at first, the towring Alps we try,
Mount o'er the Vales, and seem to tread the Sky;
Th' Eternal Snows appear already past,
And the first Clouds and Mountains seem the last:
But those attain'd, we tremble to survey
The growing Labours of the lengthen'd Way,
Th' increasing Prospect tires our wandering Eyes,
Hills peep o'er Hills, and Alps on Alps arise!
A perfect Judge will read each Work of Wit
With the same Spirit that its Author writ,
Survey the Whole, nor seek slight Faults to find,
Where Nature moves, and Rapture warms the Mind;
Nor lose, for that malignant dull Delight,
The gen'rous Pleasure to be charm'd with Wit.
But in such Lays as neither ebb, nor flow,
Correctly cold, and regularly low,
That shunning Faults, one quiet Tenour keep;
We cannot blame indeed--but we may sleep.
In Wit, as Nature, what affects our Hearts
Is nor th' Exactness of peculiar Parts;
'Tis not a Lip, or Eye, we Beauty call,
But the joint Force and full Result of all.
Thus when we view some well-proportion'd Dome,
The World's just Wonder, and ev'n thine O Rome!)
No single Parts unequally surprize;
All comes united to th' admiring Eyes;
No monstrous Height, or Breadth, or Length appear;
The Whole at once is Bold, and Regular.
Whoever thinks a faultless Piece to see,
Thinks what ne'er was, nor is, nor e'er shall be.
In ev'ry Work regard the Writer's End,
Since none can compass more than they Intend;
And if the Means be just, the Conduct true,
Applause, in spite of trivial Faults, is due.
As Men of Breeding, sometimes Men of Wit,
T' avoid great Errors, must the less commit,
Neglect the Rules each Verbal Critick lays,
For not to know some Trifles, is a Praise.
Most Criticks, fond of some subservient Art,
Still make the Whole depend upon a Part,
They talk of Principles, but Notions prize,
And All to one lov'd Folly Sacrifice.
Once on a time, La Mancha's Knight, they say,
A certain Bard encountring on the Way,
Discours'd in Terms as just, with Looks as Sage,
As e'er cou'd Dennis, of the Grecian Stage;
Concluding all were desp'rate Sots and Fools,
Who durst depart from Aristotle's Rules.
Our Author, happy in a Judge so nice,
Produc'd his Play, and beg'd the Knight's Advice,
Made him observe the Subject and the Plot,
The Manners, Passions, Unities, what not?
All which, exact to Rule were brought about,
Were but a Combate in the Lists left out.
What! Leave the Combate out? Exclaims the Knight;
Yes, or we must renounce the Stagyrite.
Not so by Heav'n (he answers in a Rage)
Knights, Squires, and Steeds, must enter on the Stage.
So vast a Throng the Stage can ne'er contain.
Then build a New, or act it in a Plain.
Thus Criticks, of less Judgment than Caprice,
Curious, not Knowing, not exact, but nice,
Form short Ideas; and offend in Arts
(As most in Manners) by a Love to Parts.
Some to Conceit alone their Taste confine,
And glitt'ring Thoughts struck out at ev'ry Line;
Pleas'd with a Work where nothing's just or fit;
One glaring Chaos and wild Heap of Wit;
Poets like Painters, thus, unskill'd to trace
The naked Nature and the living Grace,
With Gold and Jewels cover ev'ry Part,
And hide with Ornaments their Want of Art.
True Wit is Nature to Advantage drest,
What oft was Thought, but ne'er so well Exprest,
Something, whose Truth convinc'd at Sight we find,
That gives us back the Image of our Mind:
As Shades more sweetly recommend the Light,
So modest Plainness sets off sprightly Wit:
For Works may have more Wit than does 'em good,
As Bodies perish through Excess of Blood.
Others for Language all their Care express,
And value Books, as Women Men, for Dress:
Their Praise is still—The Stile is excellent:
The Sense, they humbly take upon Content.
Words are like Leaves; and where they most abound,
Much Fruit of Sense beneath is rarely found.
False Eloquence, like the Prismatic Glass,
Its gawdy Colours spreads on ev'ry place;
The Face of Nature was no more Survey,
All glares alike, without Distinction gay:
But true Expression, like th' unchanging Sun,
Clears, and improves whate'er it shines upon,
It gilds all Objects, but it alters none.
Expression is the Dress of Thought, and still
Appears more decent as more suitable;
A vile Conceit in pompous Words exprest,
Is like a Clown in regal Purple drest;
For diff'rent Styles with diff'rent Subjects sort,
As several Garbs with Country, Town, and Court.
Some by Old Words to Fame have made Pretence;
Ancients in Phrase, meer Moderns in their Sense!
Such labour'd Nothings, in so strange a Style,
Amaze th'unlearn'd, and make the Learned Smile.
Unlucky, as Fungoso in the Play,
These Sparks with aukward Vanity display
What the Fine Gentleman wore Yesterday!
And but so mimick ancient Wits at best,
As Apes our Grandsires in their Doublets treat.
In Words, as Fashions, the same Rule will hold;
Alike Fantastick, if too New, or Old;
Be not the first by whom the New are try'd,
Nor yet the last to lay the Old aside.
But most by Numbers judge a Poet's Song,
And smooth or rough, with them, is right or wrong;
In the bright Muse tho' thousand Charms conspire,
Her Voice is all these tuneful Fools admire,
Who haunt Parnassus but to please their Ear,
Not mend their Minds; as some to Church repair,
Not for the Doctrine, but the Musick there.
These Equal Syllables alone require,
Tho' oft the Ear the open Vowels tire,
While Expletives their feeble Aid do join,
And ten low Words oft creep in one dull Line,
While they ring round the same unvary'd Chimes,
With sure Returns of still expected Rhymes.
Where-e'er you find the cooling Western Breeze,
In the next Line, it whispers thro' the Trees;
If Chrystal Streams with pleasing Murmurs creep,
The Reader's threaten'd (not in vain) with Sleep.
Then, at the last, and only Couplet fraught
With some unmeaning Thing they call a Thought,
A needless Alexandrine ends the Song,
That like a wounded Snake, drags its slow length along.
Leave such to tune their own dull Rhimes, and know
What's roundly smooth, or languishingly slow;
And praise the Easie Vigor of a Line,
Where Denham's Strength, and Waller's Sweetness join.
True Ease in Writing comes from Art, not Chance,
As those move easiest who have learn'd to dance,
'Tis not enough no Harshness gives Offence,
The Sound must seem an Eccho to the Sense.
Soft is the Strain when Zephyr gently blows,
And the smooth Stream in smoother Numbers flows;
But when loud Surges lash the sounding Shore,
The hoarse, rough Verse shou'd like the Torrent roar.
When Ajax strives, some Rocks' vast Weight to throw,
The Line too labours, and the Words move slow;
Not so, when swift Camilla scours the Plain,
Flies o'er th'unbending Corn, and skims along the Main.
Hear how Timotheus' vary'd Lays surprize,
And bid Alternate Passions fall and rise!
While, at each Change, the Son of Lybian Jove
Now burns with Glory, and then melts with Love;
Now his fierce Eyes with sparkling Fury glow;
Now Sighs steal out, and Tears begin to flow:
Persians and Greeks like Turns of Nature found,
And the World's Victor stood subdu'd by Sound!
The Pow'rs of Musick all our Hearts allow;
And what Timotheus was, is Dryden now.
Avoid Extreams; and shun the Fault of such,
Who still are pleas'd too little, or too much.
At ev'ry Trifle scorn to take Offence,
That always shows Great Pride, or Little Sense;
Those Heads as Stomachs are not sure the best
Which nauseate all, and nothing can digest.
Yet let not each gay Turn thy Rapture move,
For Fools Admire, but Men of Sense Approve;
As things seem large which we thro' Mists descry,
Dulness is ever apt to Magnify.
Some foreign Writers, some our own despise;
The Ancients only, or the Moderns prize:
(Thus Wit, like Faith by each Man is apply'd
To one small Sect, and All are damn'd beside.)
Meanly they seek the Blessing to confine,
And force that Sun but on a Part to Shine;
Which not alone the Southern Wit sublimes,
But ripens Spirits in cold Northern Climes;
Which from the first has shone on Ages past,
Enlights the present, and shall warm the last:
(Tho' each may feel Increases and Decays,
And see now clearer and now darker Days)
Regard not then if Wit be Old or New,
But blame the False, and value still the True.
Some ne'er advance a Judgment of their own,
But catch the spreading Notion of the Town;
They reason and conclude by Precedent,
And own stale Nonsense which they ne'er invent.
Some judge of Authors' Names, not Works, and then
Nor praise nor blame the Writings, but the Men.
Of all this Servile Herd the worst is He
That in proud Dulness joins with Quality,
A constant Critick at the Great-man's Board,
To fetch and carry Nonsense for my Lord.
What woful stuff this Madrigal wou'd be,
To some starv'd Hackny Sonneteer, or me?
But let a Lord once own the happy Lines,
How the Wit brightens! How the Style refines!
Before his sacred Name flies ev'ry Fault,
And each exalted Stanza teems with Thought!
The Vulgar thus through Imitation err;
As oft the Learn'd by being Singular;
So much they scorn the Crowd, that if the Throng
By Chance go right, they purposely go wrong;
So Schismatics the plain Believers quit,
And are but damn'd for having too much Wit.
Some praise at Morning what they blame at Night;
But always think the last Opinion right.
A Muse by these is like a Mistress us'd,
This hour she's idoliz'd, the next abus'd,
While their weak Heads, like Towns unfortify'd,
'Twixt Sense and Nonsense daily change their Side.
Ask them the Cause; They're wiser still, they say;
And still to Morrow's wiser than to Day.
We think our Fathers Fools, so wise we grow;
Our wiser Sons, no doubt, will think us so.
Once School-Divines this zealous Isle o'erspread;
Who knew most Sentences was deepest read;
Faith, Gospel, All, seem'd made to be disputed,
And none had Sense enough to be Confuted.
Scotists and Thomists, now, in Peace remain,
Amidst their kindred Cobwebs in Duck-Lane.
If Faith it self has diff'rent Dresses worn,
What wonder Modes in Wit shou'd take their Turn?
Oft, leaving what is Natural and fit,
The current Folly proves the ready Wit,
And Authors think their Reputation safe,
Which lives as long as Fools are pleas'd to Laugh.
Some valuing those of their own, Side or Mind,
Still make themselves the measure of Mankind;
Fondly we think we honour Merit then,
When we but praise Our selves in Other Men.
Parties in Wit attend on those of State,
And publick Faction doubles private Hate.
Pride, Malice, Folly, against Dryden rose,
In various Shapes of Parsons, Criticks, Beaus;
But Sense surviv'd, when merry Jests were past;
For rising Merit will buoy up at last.
Might he return, and bless once more our Eyes,
New Blackmores and new Milbourns must arise;
Nay shou'd great Homer lift his awful Head,
Zoilus again would start up from the Dead.
Envy will Merit as its Shade pursue,
But like a Shadow, proves the Substance true;
For envy'd Wit, like Sol Eclips'd, makes known
Th' opposing Body's Grossness, not its own.
When first that Sun too powerful Beams displays,
It draws up Vapours which obscure its Rays;
But ev'n those Clouds at last adorn its Way,
Reflect new Glories, and augment the Day.
Be thou the first true Merit to befriend;
His Praise is lost, who stays till All commend;
Short is the Date, alas, of Modern Rhymes;
And 'tis but just to let 'em live betimes.
No longer now that Golden Age appears,
When Patriarch-Wits surviv'd thousand Years;
Now Length of Fame (our second Life) is lost,
And bare Threescore is all ev'n That can boast:
Our Sons their Fathers' failing language see,
And such as Chaucer is, shall Dryden be.
So when the faithful Pencil has design'd
Some bright Idea of the Master's Mind,
Where a new World leaps out at his command,
And ready Nature waits upon his Hand;
When the ripe Colours soften and unite,
And sweetly melt into just Shade and Light,
When mellowing Years their full Perfection give,
And each Bold Figure just begins to Live;
The treach'rous Colours the fair Art betray,
And all the bright Creation fades away!
Unhappy Wit, like most mistaken Things,
Attones not for that Envy which it brings.
In Youth alone its empty Praise we boast,
But soon the Short-liv'd Vanity is lost!
Like some fair Flow'r the early Spring supplies,
That gaily Blooms, but ev'n in blooming Dies.
What is this Wit which must our Cares employ?
The Owner's Wife, that other Men enjoy,
Then most our Trouble still when most admir'd,
And still the more we give, the more requir'd;
Whose Fame with Pains we guard, but lose with Ease,
Sure some to vex, but never all to please;
'Tis what the Vicious fear, the Virtuous shun;
By Fools 'tis hated, and by Knaves undone!
If Wit so much from Ign'rance undergo,
Ah let not Learning too commence its Foe!
Of old, those met Rewards who cou'd excel,
And such were Prais'd who but endeavour'd well:
Tho' Triumphs were to Gen'rals only due,
Crowns were reserv'd to grace the Soldiers too.
Now, they who reached Parnassus' lofty Crown,
Employ their Pains to spurn some others down;
And while Self-Love each jealous Writer rules,
Contending Wits becomes the Sport of Fools:
But still the Worst with most Regret commend,
For each Ill Author is as bad a Friend.
To what base Ends, and by what abject Ways,
Are Mortals urg'd thro' Sacred Lust of praise!
Ah ne'er so dire a Thirst of Glory boast,
Nor in the Critick let the Man be lost!
Good-Nature and Good-Sense must ever join;
To err is Humane; to Forgive, Divine.
But if in Noble Minds some Dregs remain,
Not yet purg'd off, of Spleen and sow'r Disdain,
Discharge that Rage on more Provoking Crimes,
Nor fear a Dearth in these Flagitious Times.
No Pardon vile Obscenity should find,
Tho' Wit and Art conspire to move your Mind;
But Dulness with Obscenity must prove
As Shameful sure as Importance in Love.
In the fat Age of Pleasure, Wealth, and Ease,
Sprung the rank Weed, and thriv'd with large Increase;
When Love was all an easie Monarch's Care;
Seldom at Council, never in a War:
Jilts rul'd the State, and Statesmen Farces writ;
Nay Wits had Pensions, and young Lords had Wit:
The Fair sate panting at a Courtier's Play,
And not a Mask went un-improv'd away:
The modest Fan was liked up no more,
And Virgins smil'd at what they blush'd before—
The following Licence of a Foreign Reign
Did all the Dregs of bold Socinus drain;
Then Unbelieving Priests reform'd the Nation,
And taught more Pleasant Methods of Salvation;
Where Heav'ns Free Subjects might their Rights dispute,
Lest God himself shou'd seem too Absolute.
Pulpits their Sacred Satire learn'd to spare,
And Vice admir'd to find a Flatt'rer there!
Encourag'd thus, Witt's Titans brav'd the Skies,
And the Press groan'd with Licenc'd Blasphemies—
These Monsters, Criticks! with your Darts engage,
Here point your Thunder, and exhaust your Rage!
Yet shun their Fault, who, Scandalously nice,
Will needs mistake an Author into Vice;
All seems Infected that th' Infected spy,
As all looks yellow to the Jaundic'd Eye.
LEARN then what MORALS Criticks ought to show,
For 'tis but half a Judge's Task, to Know.
'Tis not enough, Taste, Judgment, Learning, join;
In all you speak, let Truth and Candor shine:
That not alone what to your Sense is due,
All may allow; but seek your Friendship too.
Be silent always when you doubt your Sense;
And speak, tho' sure, with seeming Diffidence:
Some positive persisting Fops we know,
Who, if once wrong, will needs be always so;
But you, with Pleasure own your Errors past,
An make each Day a Critick on the last.
'Tis not enough your Counsel still be true,
Blunt Truths more Mischief than nice Falsehood do;
Men must be taught as if you taught them not;
And Things unknown propos'd as Things forgot:
Without Good Breeding, Truth is disapprov'd;
That only makes Superior Sense belov'd.
Be Niggards of Advice on no Pretence;
For the worst Avarice is that of Sense:
With mean Complacence ne'er betray your Trust,
Nor be so Civil as to prove Unjust;
Fear not the Anger of the Wise to raise;
Those best can bear Reproof, who merit Praise.
'Twere well, might Criticks still this Freedom take;
But Appius reddens at each Word you speak,
And stares, Tremendous! with a threatning Eye
Like some fierce Tyrant in Old Tapestry!
Fear most to tax an Honourable Fool,
Whose Right it is, uncensur'd to be dull;
Such without Wit are Poets when they please.
As without Learning they can take Degrees.
Leave dang'rous Truths to unsuccessful Satyrs,
And Flattery to fulsome Dedicators,
Whom, when they Praise, the World believes no more,
Than when they promise to give Scribling o'er.
'Tis best sometimes your Censure to restrain,
And charitably let the Dull be vain:
Your Silence there is better than your Spite,
For who can rail so long as they can write?
Still humming on, their drowzy Course they keep,
And lash'd so long, like Tops, are lash'd asleep.
False Steps but help them to renew the Race,
As after Stumbling, Jades will mend their Pace.
What Crouds of these, impenitently bold,
In Sounds and jingling Syllables grown old,
Still run on Poets in a raging Vein,
Ev'n to the Dregs and Squeezings of the Brain;
Strain out the last, dull droppings of their Sense,
And Rhyme with all the Rage of Impotence!
Such shameless Bards we have; and yet 'tis true,
There are as mad, abandon'd Criticks too.
The Bookful Blockhead, ignorantly read,
With Loads of Learned Lumber in his Head,
With his own Tongue still edifies his Ears,
And always List'ning to Himself appears.
All Books he reads, and all he reads assails,
From Dryden's Fables down to Durfey's Tales.
With him, most Authors steal their Works, or buy;
Garth did not write his own Dispensary.
Name a new Play, and he's the Poet's Friend,
Nay show'd his Faults--but when wou'd Poets mend?
No Place so Sacred from such Fops is barr'd,
Nor is Paul's Church more safe than Paul's Church-yard:
Nay, fly to Altars; there they'll talk you dead;
For Fools rush in where Angels fear to tread.
Distrustful Sense with modest Caution speaks;
It still looks home, and short Excursions makes;
But ratling Nonsense in full Vollies breaks;
And never shock'd, and never turn'd aside,
Bursts out, resistless, with a thundering Tyde!
But where's the Man, who Counsel can bestow,
Still pleas'd to teach, and not proud to know?
Unbiass'd, or by Favour or by Spite;
Not dully prepossest, nor blindly right;
Tho' Learn'd well-bred; and tho' well-bred, sincere;
Modestly bold, and Humanly severe?
Who to a Friend his Faults can freely show,
And gladly praise the Merit of a Foe?
Blest with a Taste exact, yet unconfin'd;
A Knowledge both of Books and Humankind;
Gen'rous Converse; a Sound exempt from Pride;
And Love to Praise, with Reason on his Side?
Such once were Criticks, such the Happy Few,
Athens and Rome in better Ages knew.
The mighty Stagyrite first left the Shore,
Spread all his Sails, and durst the Deeps explore;
He steer'd securely, and discover'd far,
Led by the Light of the Maeonian Star.
Poets, a Race long unconfin'd and free,
Still fond and proud of Savage Liberty,
Receiv'd his Laws, and stood convinc'd 'twas fit
Who conquer'd Nature, shou'd preside o'er Wit.
Horace still charms with graceful Negligence,
And without Method talks us into Sense,
Will like a Friend familarly convey
The truest Notions in the easiest way.
He, who Supream in Judgment, as in Wit,
Might boldly censure, as he boldly writ,
Yet judg'd with Coolness tho' he sung with Fire;
His Precepts teach but what his Works inspire.
Our Criticks take a contrary Extream,
They judge with Fury, but they write with Fle'me:
Nor suffers Horace more in wrong Translations
By Wits, than Criticks in as wrong Quotations.
See Dionysius Homer's Thoughts refine,
And call new Beauties forth from ev'ry Line!
Fancy and Art in gay Petronius please,
The Scholar's Learning, with the Courtier's Ease.
In grave Quintilian's copious Work we find
The justest Rules, and clearest Method join'd;
Thus useful Arms in Magazines we place,
All rang'd in Order, and dispos'd with Grace,
But less to please the Eye, than arm the Hand,
Still fit for Use, and ready at Command.
Thee, bold Longinus! all the Nine inspire,
And bless their Critick with a Poet's Fire.
An ardent Judge, who Zealous in his Trust,
With Warmth gives Sentence, yet is always Just;
Whose own Example strengthens all his Laws,
And Is himself that great Sublime he draws.
Thus long succeeding Criticks justly reign'd,
Licence repress'd, and useful Laws ordain'd;
Learning and Rome alike in Empire grew,
And Arts still follow'd where her Eagles flew;
From the same Foes, at last, both felt their Doom,
And the same Age saw Learning fall, and Rome.
With Tyranny, then Superstition join'd,
As that the Body, this enslav'd the Mind;
Much was Believ'd, but little understood,
And to be dull was constru'd to be good;
A second Deluge Learning thus o'er-run,
And the Monks finish'd what the Goths begun.
At length, Erasmus, that great, injur'd Name,
(The Glory of the Priesthood, and the Shame!)
Stemm'd the wild Torrent of a barb'rous Age.
And drove those Holy Vandals off the Stage.
But see! each Muse, in Leo's Golden Days,
Starts from her Trance, and trims her wither'd Bays!
Rome's ancient Genius, o'er its Ruins spread,
Shakes off the Dust, and rears his rev'rend Head!
Then Sculpture and her Sister-Arts revive;
Stones leap'd to Form, and Rocks began to live;
With sweeter Notes each rising Temple rung;
A Raphael painted, and a Vida sung!
Immortal Vida! on whose honour'd Brow
The Poet's Bays and Critick's Ivy grow:
Cremona now shall ever boast thy Name,
As next in Place to Mantua, next in Fame!
But soon by Impious Arms from Latium chas'd,
Their ancient Bounds the banish'd Muses past:
Thence Arts o'er all the Northern World advance,
But Critic Learning flourish'd most in France.
The Rules, a Nation born to serve, obeys,
And Boileau still in Right of Horace sways.
But we, brave Britons, Foreign Laws despis'd,
And kept unconquer'd and unciviliz'd,
Fierce for the Liberties of Wit, and bold,
We still defy'd the Romans as of old.
Yet some there were, among the sounder Few
Of those who less presum'd, and better knew,
Who durst assert the juster Ancient Cause,
And here restor'd Wit's Fundamental Laws.
Such was the Muse, whose Rules and Practice tell,
Nature's chief Master-piece is writing well.
Such was Roscomon—not more learn'd than good,
With Manners gen'rous as his Noble Blood;
To him the Wit of Greece and Rome was known,
And ev'ry Author's Merit, but his own.
Such late was Walsh,—the Muse's Judge and Friend,
Who justly knew to blame or to commend;
To Failings mild, but zealous for Desert;
The clearest Head, and the sincerest Heart.
This humble Praise, lamented Shade! receive,
This Praise at least a grateful Muse may give!
The Muse, whose early Voice you taught to Sing,
Prescrib'd her Heights, and prun'd her tender Wing,
(Her Guide now lost) no more attempts to rise,
But in low Numbers short Excursions tries:
Content, if hence th' Unlearned their Wants may view,
The Learn'd reflect on what before they knew:
Careless of Censure, not too fond of Fame,
Still pleas'd to praise, yet not afraid to blame,
Averse alike to Flatter, or Offend,
Not free from Faults, nor yet too vain to mend.

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Excerpts

To Imagination Emily Brontë

Terminus Ralph Waldo Emerson

If Rudyard Kipling

A Dream Edgar Allan Poe

She Walks in Beauty George Gordon, Lord Byron

The Day Is Done Henry Wadsworth Longfellow

The Owl and the Pussycat Edward Lear

Character of the Happy Warrior William Wordsworth

The Love Song of J. Alfred Prufrock T.S. Eliot

An Essay on Criticism Alexander Pope